Kiwi Ears has officially introduced the Orchestra II, a refreshed in-ear monitor designed to follow the path set by the original Orchestra. The new model focuses on an upgraded driver system, refinements in acoustic design, and improvements in structural engineering. With a configuration built around ten balanced armature drivers per side, the Orchestra II aims to deliver a controlled and detailed sound that appeals to musicians, studio workers, and listeners who prefer accurate yet engaging audio.
The tuning philosophy behind the Orchestra II continues to evolve from the earlier approach seen in previous Kiwi Ears models. Instead of targeting strict neutrality, the company has opted for a sound profile that carries more musical presence while keeping tonal balance intact. The sub-bass response is handled by two dedicated balanced armature woofers, producing depth and low-end texture. This is supported by a mild lift near the 300 Hz region, giving additional body to bass guitars, kick drums, and electronic elements without overshadowing the rest of the spectrum.
The midrange follows a linear structure that maintains clarity in instruments and vocals. This tuning allows layering to remain organized, ensuring that complex mixes do not become congested. The transition from the midrange to the upper frequencies is designed to avoid harshness, resulting in clean reproduction of strings, percussion, and vocal harmonics. Two high-frequency tweeters take charge of the upper treble, offering extended air and spatial detail that broadens the soundstage.
The Orchestra II highlights transparency not only through its acoustics but also its physical design. Each earphone is built using a clear acrylic shell that exposes the internal driver array. Kiwi Ears uses its in-house balanced armature subwoofers and midrange units, crafted for improved stability and resonance control. According to the company, the acrylic housing reduces unwanted vibrations and provides a cleaner bass response compared to metal-encased designs commonly seen in other balanced armature setups.
The driver system is arranged with two sub-bass units, four low-mid drivers, two mid-treble drivers, and two ultra-high-frequency tweeters. Each component is tuned to handle a specific segment of the frequency range, ensuring that the sound remains cohesive across different genres and listening environments.
Another key improvement is the noise isolation system. The Orchestra II features a solid internal shell filled with an acoustic-dampening gel resin. This structure minimizes internal reflections, enhances tonal accuracy, and increases passive isolation. As a result, external noise is reduced more effectively compared to conventional hollow-shell monitors, making the earphones suitable for travel, live performance monitoring, and studio use.
The Orchestra II also includes a detachable 0.78 mm 2-pin cable, available in both 3.5 mm and 4.4 mm plug options. The ergonomic shaping from previous Kiwi Ears models remains intact, aiming to provide long-term comfort for extended listening.
The Kiwi Ears Orchestra II is now available through the official Kiwi Ears website and authorized retailers worldwide.
Technical Specifications
| Specification | Details |
|---|---|
| Sensitivity (1 kHz) | 109 dB SPL/m |
| Frequency Range | 20 Hz – 20 kHz |
| Impedance (1 kHz) | 19 Ohm |
| Driver Configuration | 10 Balanced Armature Drivers per side |
| Earphone Connector | 0.78 mm / 2-pin |
| Plug Options | 3.5 mm and 4.4 mm |
| Cable Length | 1.25 m |
| Shell Material | Clear Acrylic |
| Internal Structure | Acoustic-dampening Gel Resin |
